We can’t resist the snarky art:
A local Masterpiece by Dan Sullivan and Edra Soto:
6018North:
Mikey McParlane and Caleb Yono performance of Foolish Heart of the Golden Boy, 2015. Loosely based on a story about Pope Leo X, who had a boy painted gold in his honor and subsequently died. The performance will be staged in relation to Rodrigo Lara-Zendejas’ Chapel.
Some of us at ITAK looking fancy:
Tickets are available here. The installations and tablescapes at the event will be created by a slew of talented artists collaborating with a band of equally talented chefs. The artists working on this are Maurene Cooper, Andrew Rosinski, Tori Terzakis and Stacia Yeapanis.
We spoke with Stacia Yeapanis about one of her go-to recipes and decided to try it out for ourselves in preparation for Starving Artists!
Stacia Yeapanis (CAC BOT Resident 2011-2012) Chicago-based interdisciplinary artist Yeapanis explores the relationship between repetition, desire and impermanence in impermanent, improvisational installations. She is an instructor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago, where earned she her MFA in 2006 and interviews artists weekly for the OtherPeoplesPixels.
“I cook like I make art, transforming existing products by combining them in new ways. And I tend to make the same recipes over and over again. Also, because I’d rather save time to spend in the studio, I often start with products from Trader Joe’s, augmenting them with fresh vegetables. This also allows me to experiment with one recipe, by changing up the added ingredients for variety. Below is one of my staples.”
[yumprint-recipe id=’49’]
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Darrell Roberts | Conservatory (Lincoln Park, Chicago), 2013 | oil on canvas
Kaz Oshiro | Untitled Still Life, 2013 | acrylic on canvas
Fernando Pareja & Leidy Chavez | Opresores Oprimidos
Gregory Halili | Memento II, 2013-14 | Memento V, 2014 | oil on mother of pearl
Beth Lipman | Column V | glass, glue Leo Amino | Untitled, c. 1955 | welded and enameled brass
Beth Lipman | Cut Table | glass, wood, paint, adhesive
Marieke McClendon | Clay Head 1, 2, and 3 | ink on bristol board, ceramic
Chris Pandel opened The Bristol, a Michelin Bib Gourmand, which boasts a menu of locally-sourced, seasonal dishes with a Mediterranean influence, in 2008. The Illinois born chef won Eater’s award for Chef of the Year in 2012, and his second restaurant, Balena, was a 2013 James Beard semi-finalist for Best New Restaurant in the Midwest.
Diana Gabriel makes process-based, site-specific works from string and other fibers that are responsive to nature and often rooted somewhere between logic and a daydream. For Starving Artist, Gabriel will create an immersive installation of large tassel forms. The piece Diana is working on for Starving Artist is called Ciclos.
“I’m very much into the slow food movement and was happy to find out that Chris Pandel, the chef I was paired with, is all about local food. I like the idea of seeing the world around you grow. That includes the food you eat and people you surround yourself with. I think transformation and growth is one of the most beautiful things we can experience as humans.
In relationship to food and art, the bridge is “nourishment”, an important part of growth. In food, the idea of nourishment is pretty obvious on a biological level. But if we dig a little deeper, art and food nourish through curiosity, creativity and the connection to someone else’s vision.”
Diana gets us cooking early and shares her Family’s Colombian Coconut Rice recipe with ITAK.
[yumprint-recipe id=’22’]
]]>1. One of the first things that Michael and I were excited to see was Pratt Institute’s submission for Connect. I noticed the big billowing cloud like ceiling portion first and my interest was piqued. As we lingered on the fringes trying to figure out if we would want to sit on the benches below the clouds a set of students from Pratt encouraged us to have a seat. Curious, we moved closer. We were to discover that the installation was meant to be a submission for a lounge space design competition called Connect. This was the first year SOFA organizers had invited design schools to participate, and compete. These Pratt students had used recycled materials that were the bountiful detritus left over from their department’s basic operation. Tubes from printer paper, and bags. Despite essentially being made of garbage, the seats were functional, and the space was devoid of color or distractions. It was a calm space to sit and take a break from the flurry of SOFA activity. Encouraged by this experience we set off to see what the other schools had designed. Learn more here: The Pratt Connect Lounge, Illinois Institute of Technology, University of Iowa, & Edinburgh College of Art.
2. Porcelain Valve | Michael Schwegmann. ITAK’s Michael first noticed this piece and walked over to investigate. The artist, also named Michael, happened to be onsite and introduced himself to us. I didn’t feel the nostalgia related to this piece that Michael did. He recognized it as an irrigation valve that was common around his grandparents’ house in rural Texas. My thoughts were more technical in nature. I was impressed that this was all ceramic even though it appeared to be metal. If the piece hadn’t been shaped with so much accuracy we’d have known instantly that it wasn’t what it seemed. Nostalgia and interest piqued.
3. I quite enjoyed the miniature exhibition put on by The Dinnerware Museum. Their small space was full of dinnerware in all manner of materials. The Ann Arbor-based Museum is the first museum in the world devoted exclusively to dinnerware. It began showing bits of it’s collection in special exhibitions in 2012, and hopes to soon fund a permanent space. Learn more here.
4. She Defines Herself | Donna Rosenthal | Jean Albano Gallery. The series of works by Donna Rosenthal surprised me with their detail and somewhat hidden significance. At first glance this work’s cute profile and hanger style display suggests that it could be something you could pick up in the home decor section of a local craft store. The Jean Albano Gallery space had many of the miniature dresses displayed, and I had to inspect them more closely. She defines herself is made of pages from a dictionary and the fact that there is a material significance to the words chosen elevates these for me. The messages on each work are very amusing, and the material significances clever. Overall there is no denying that these are still in the cute realm, but we enjoyed them anyway.
5. This year my attention was also captured by food related pieces purely because of the nature of this website. Food and art. There seemed to be a lot of it around. First the Dinnerware Museum, and now these? Food and art is trending.
Those Fries in the back? Glass. Yep. Glass.
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Mini Interview: John Preus
Preus is a craftsman and artist. Also, a featured Chicago artist for Chicago Artists Month. Interviewed with Chris Grieshaber.
Kristina: Tell me more about this fantastic kitchen. How did it come to be?
John: I was asked to participate, and knowing it takes a lot of work to build a kitchen, I decided to ask others if they were interested in building sections.
K: I am really enjoying this piece on the end with kitchen plates and pans covered in white.
J: Yeah, that guy is not even an artists. That’s what makes this interesting.
Chris: Not an artist?
J: A woodworker.
K: I have to ask, because of the nature of this website, if you cook?
J: No! I rely on others for that.
K: That’s lucky!
C: But you’ve made something here with this kitchen. A sort of stew.
J: Yes, it’s a stew. A chunky stew. You can still see the carrots.
Mini Interview: Tricia Van Eck
Van Eck, former MCA curator, now runs 6018NORTH.
Kristina: Can you tell me a little more about the idea for this show?
Tricia: It’s set up in rooms similar to 6018NORTH, which is a dilapidated mansion. We question the boundaries between the public and the private aspects of space.
K: Is it going to stay dilapitated?
T: Well, it’s going to take a little more than we anticipated to get it restored, but we’re working on it.
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